Create A Sense Of Relaxed Elegance In A Quaint 1938 Row House In Georgetown



A collection of antiques and art graces the second-floor living room, which overlooks a courtyard garden




When designer Susan Beimler and her husband were relocated to Washington from Rochester for his banking job in 1995, their real estate agent assumed they’d end up in the suburbs of McLean or Potomac. But the couple gravitated to Georgetown instead, where he could walk to his office and Susan could work in close proximity to some of the city’s top antiques shops and galleries. “I decided if you’re in a city, you should be right in the city. Our youngest was in college,” says the designer. “I thought, ‘It’s a new chapter of life, so why wouldn’t we have a new experience?



For continuity, Beimler selected a wallpaper pattern called Thebes in her home's foyer and on the center stairwells that extend to the top floor.


The couple chose a three-story 1938 row house for its integrity and authenticity. “It’s an exact copy of a townhome in London,” says Beimler. “Even the hardware, the railings and the ceiling medallions were shipped over from England. And the bricks came from a Maryland manor house that was 225 years old when it was dismantled in 1938.”

A playful silk chandelier hangs in the guest bedroom.

Beimler set out to furnish the well-preserved home in an “updated classic” style, starting with the collection of art and antiques she brought down from New York. “I believe in relaxed elegance,” she says. “Comfort and chic can co-exist.”



An 18th-century French sideboard in the second-floor dining room contains Beimler's china collection; the table comes from Lyon, France.
 

Beimler soon discovered that buying opportunities abounded in the blocks surrounding her new home. “In Upstate New York, antiques are mostly American. The access to really wonderful European antiques is here,” she says. Her dining room, for example, combines an 18th-century French sideboard in pear wood with a table made in Lyon and very old French chairs she discovered in New Orleans. 

The renovated guest bath features a custom demilune vanity.

“Antiques make a more interesting environment because they add history,” she says. “They show an evolution of life and a patina. Life should constantly be evolving.” 

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Beimler framed two antique canvases above a chest of drawers in the dining room


 
Beimler speaks from experience. She transitioned from teaching French to designing homes for clientele across the country—without a day of formal training. As she describes it, some force compelled her to walk into one of Rochester’s top design firms and apply for a job when she was in her late 30s. 

“I had no portfolio, no coursework, no exposure,” she recalls. “The woman who had the studio took a chance on me.” A longtime painter, Beimler had a feel for color, scale and proportion. In one year, she outsold her partner and has never looked back. 


The family room beckons with a comfortable armchair and fireplace.
 
An expert at blending paint colors and creating subtle yet confident interiors, Beimler believes a home should reflect the owner’s personality—and not the designer’s. “My goal is to expose clients to things and put them together in a way that makes them feel like they’re in their own skin, not mine,” she explains.


Subtle neutrals create an air of serenity in the master bedroom, for which Beimler commissioned the four-poster bed in Upstate New York.
 
Beimler has also mastered the art of hospitality. She loves to create a warm, welcoming ambiance—whether she’s hosting out-of-town guests or opening her doors for the Georgetown House Tour (which she has done twice). Her formal dinner parties gather in the second-story living room and dining room, while smaller, more intimate groups cozy up in the first-floor family room, where Beimler has converted one of the home’s two fireplaces to gas for instant warmth on crisp nights. 

Upstairs, the master bedroom is a tranquil retreat with soft, neutral wallpaper and a four-poster bed Beimler commissioned in New York. A former second-floor bedroom now serves as her office where shelves are stacked neatly with fabric swatches and sample books. 






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